Musical instruments are treated in electronic instrument, keyboard instrument, percussion instrument, stringed instrument, and wind instrument, as well as in separate articles on individual instruments, such as clarinet, drum, guitar, kayagŭm, piano, tabla, and theremin.Įarly in the 20th century, it was regarded as a commonplace that a musical tone was characterized by the regularity of its vibrations this uniformity gave it a fixed pitch and distinguished its sounds from “noise.” Although that view may have been supported by traditional music, by the latter half of the 20th century it was recognized as an unacceptable yardstick. See also such articles as blues, chamber music, choral music, concerto, electronic music, fugue, jazz, opera, rhythm and blues, rock, symphony, sonata, theatre music, and vocal music. Aspects of music are treated in counterpoint, harmony, instrumentation, mode, music criticism, music composition, music performance, music recording, musical sound, music notation, rhythm, scale, and tuning and temperament. For the history of music in different regions, see African music Oceanic music and dance Western music Central Asian arts: Music Chinese music Japanese music Korean music Islamic arts Native American music South Asian arts: Music and Southeast Asian arts: Music. Music is treated in a number of articles. The ancient Greek philosopher Democritus explicitly denied any fundamental need for music: “For it was not necessity that separated it off, but it arose from the existing superfluity.” The view that music and the other arts are mere graces is still widespread, although the growth of psychological understanding of play and other symbolic activities has begun to weaken this tenacious belief. What seems curious is that, despite the universality of the art, no one until recent times has argued for its necessity. Beyond all this, the teaching of music in primary and secondary schools has now attained virtually worldwide acceptance.īut the prevalence of music is nothing new, and its human importance has often been acknowledged. Publications and recordings have effectively internationalized music in its most significant, as well as its most trivial, manifestations. The implications of the uses of music in psychotherapy, geriatrics, and advertising testify to a faith in its power to affect human behaviour. Popular culture has consistently exploited these possibilities, most conspicuously today by means of radio, film, television, musical theatre, and the Internet. Throughout history, music has been an important adjunct to ritual and drama and has been credited with the capacity to reflect and influence human emotion. Music is a protean art it lends itself easily to alliances with words, as in song, and with physical movement, as in dance. Modern music is heard in a bewildering profusion of styles, many of them contemporary, others engendered in past eras. Music is an art that, in one guise or another, permeates every human society. Both are humanly engineered both are conceptual and auditory, and these factors have been present in music of all styles and in all periods of history, throughout the world. Both the simple folk song and the complex electronic composition belong to the same activity, music. Music, art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony.
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